![]() The theatrical version skipped over this entirely due to time constraints, so what V’Ger really looked like from afar had remained a mystery for more than 20 years. One of the biggest changes made, from a visual storytelling perspective, was the reveal of V’Ger. ![]() They tightened the pace of the film, fixed some of the effects shots, added some others, and put together a new sound mix. The film ultimately met its release date but received a lukewarm response from audiences, who were unaware that what they were seeing was a compromised version of the film, which was a great disappointment to Robert Wise.įast forward to the late ’90s, and the team of restoration supervisor Mike Matessino, producer David Fein, and visual effects supervisor Daren Dochterman teamed up with Wise to craft a new cut of the film that would address some of the issues and enhance the story. This sometimes forced them to drop whole sequences into the film as the footage was coming in, with little time to massage the edits, which also affected the sound mix and color timing. While the visual effects were being created, director Robert Wise and editor Todd Ramsay were trying to find an editorial shape for the film, despite often having large holes where the effects should be. Having only 7 months to finish the effects in order to meet a locked-in release date in December, the teams worked around the clock – literally. That was only the preamble to a much larger problem: the original company commissioned to do all the effects work on the film failed to produce any usable footage, forcing Paramount to hire visual effects pioneers Douglas Trumbull ( 2001: A Space Odyssey, The Andromeda Strain, Close Encounters of the Third Kind) and John Dykstra ( Star Wars) to complete the work. Born out of a pilot for a proposed television revival of the original series, the film began production in August 1978 without a finished script and wrapped principal photography later than scheduled. Star Trek: The Motion Picture has had a strange and difficult journey, as far as movies go. The Enterprise prepares to leave drydock. A labor of love in every respect, the film is a visual and aural experience like never before and can finally be seen as the epic film it was designed to be. The 4K UHD release of Star Trek: The Motion Picture – Director’s Edition brings director Robert Wise’s vision of the film into the modern era with a major update in visuals and sound, and the result is spectacular. And its great craftsmanship was recognized by the Academy, giving the film three Oscar nominations – Set Decoration, Visual Effects, and Original Score. The film as released in 1979 was often critiqued for its somewhat languid pace, with some fans dubbing it, “The Motionless Picture.” While its pacing left something to be desired, it does tell a story very much in the tradition of the original show while giving Star Trek a greater sense of scale and grandeur. Kirk, Spock, and V’Ger are all searching for something that will give them direction and make them feel whole, with each of them finding their answers in very different ways. ![]() An enormously powerful alien force that destroys everything in its path is heading towards Earth, and the crew of the Enterprise must try and stop it while learning about its true nature.įor all its grand scale, The Motion Picture is ultimately a film about identity and finding one’s path. Set on board a refit USS Enterprise, the film reunited the original cast of the television series, with stars William Shatner and Leonard Nimoy returning to their legendary roles of Kirk and Spock. Today, in celebration of First Contact Day, Paramount+ has released the remastered Director’s Edition of the first Star Trek feature film, 1979’s Star Trek: The Motion Picture, now in 4K UHD. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |